23.09.2024 - 21.10.2024 / Week 1- Week 5
Angelique Svetlana Pekasa / 0377365
Typography / Bachelors Of Creative Media / Taylor's University
Task 1: Exercise 1
Table of contents
Lectures
Week 1
Lecture 1: Typo_0_Introduction
Typography is the act of creating letters to make it appealing, readable, and
legible. This lecture highlights a lot of terminology, such as:
- Logotype is a mark consisting of letters that will represent a brand.
-
Lettering is drawing the letters out while calligraphy is the writing style.
- Font is the individual font or weight within a typeface.
Fig. 1.1 Fonts, (week 1, 23/09/2024)
-
Typeface is the whole family of font or weight that share similar
characteristics.
Fig 1.2 (Typefaces), (week 1, 23/09/2024)
Lecture 2: Typo_1_Development
Early letterform development: Phoenicion to Roman
-
Phoenicion wrote from right to left, while Greeks read and wrote alternately
from right to left and then left to right (boustrophedon).
Fig 1.3 (Boustrophedon), (week 1, 23/09/2024)
-
Roman and Etruscan first paint letterforms on the marble before carving
into them, which changes the strokes of the letterforms
Hand script from 3rd-10th century C.E.
-
Square capitals and rustic capitals were developed, rustics capitals are
compressed version of square capitals which is faster to write, however
it's harder to read.
Fig 1.4 (Left, square capital ; Right, rustic capital), (week 2,
24/09/2024)
-
Uncials are small letters which incorporate both elements of uppercase
and lowercase. Half- uncials are the first official formal lowercase
letterforms.
-
Charlemagne sets a standard for calligraphy by issuing an edict, making
communication clearer.
Text type classification
Fig. 1.4 (text type classification), (week 1, 24/09/2024)
Week 2
Lecture 3: Text_3_P1
Kerning and letter spacing
- Kerning: Automatic adjustment of space between letters.
- Letterspacing: To add space between letters .
-
Tracking: The use of both kerning and letterspacing in a word or
sentence (when tracking is done it reduces the recognizability of the
letters as the pattern changes).
Formatting text
-
Flush left: Each lines starts at the same point but ends
differently, depending on the last word on each line.
-
Centered: Imposes symmetry upon the text, every line have equal
weights and value on both ends.
-
Flush right: Places emphasis on the end of a line as and not at
the start of it
-
Justified: Manipulate the symmetrical shape on the text by
expanding or reducing spaces (creating rivers) between the words. (Must
be avoided).
Texture
Figure 1.5 (anatomy of a typeface), (week 2, 01/10/2024)
A good typographer should choose the right typeface according to the
message they want to convey and also consider its texture and color. A
text is more readable when the x-height is larger than the ascender and
descender.
Leading and Line Length
-
Type size: size of text should be large enough to be read
easily at arm's length.
-
Leading: Text can't be set too tightly as readers can easily
loose track or too loosely that it creates patterns causing
distraction.
-
Line length: Shorter lines require less reading while longer
lines require more. However, extremely long or short line lengths will
impair reading.
Type specimen book: a reference book showcasing samples of
typefaces in a range of sizes. Its purpose is to give a precise
reference for type, type size, type leading, and etc.
Week 3
Lecture 3: Text_Part_2
Indicating paragraphs:
-
Pilcrow (¶), was used to indicate paragraph space in medieval manuscript (rarely
used nowadays)
-
Line space, if line space is 12pt then paragraph will also be 12pt,
this ensures cross-alignment across columns of text.
-
Leading: space between 2 sentences, Line spacing: descender
1 sentence to the descender of the other sentence above it.
- Standard indentation and extended paragraphs

Figure 1.6 (Standard Indentation (left) vs Extended Paragraphs (right)),
(week 3, 9/10/2024)
Widows and Orphans
Widows and orphans are serious blunders or
mistakes that should be avoided
-
Widow: a short line of type left alone at the end of a text column
(the solution to it is to rebreak line endings)
-
Orphan: a short line of type left alone at the start of a new
column (the solution is to reduce line length of the column)
Figure 1.7 (Widow and orphan), (week 3, 9/10/2024)
Highlighting Text
-
A text could be emphasize by making it italics, bold (could also change
it's typeface in bold), change it's color (black, cyan, and magenta), or
highlighting the area behind the text.
- Reduce point size by 0.5 when changing the type family
-
Extending typographical elements outside the column margin (ex. bulletin
points, quotation marks).
Headline within Text
- A heads marks a clear break between topics within a section
- B heads introduce new supporting points or arguments
-
C heads draws attention to specific facets of material within B
head text
Week 4
Lecture 4: Typo_2_Basics
Describing letterforms
Fig. 1.8 (describing letterforms), (week 4, 15/10/2024)
The font
Make sure to work with full fonts containing:
- Uppercase
- Lowercase
-
Small capitals (uppercase letterforms draw to the x-height of typeface)
- Uppercase and lowercase numerals
- Italic
- Punctuation, miscellaneous characters
- Ornaments
Describing typeface
Fig. 1.9 (describing typeface), (week 5, 15/10/2024)
Fig. 1.10 (Top 10 essential typefaces), (week 5, 15/10/2024)
Comparing Typefaces
It's important to see the differences between
typefaces and not it's similarities. Each typefaces have different
weight, x-height, widths, and etc. This allows them to convey different
message and expression which is why it's significant to choose the right
typefaces.
Instructions
<iframe
src="https://drive.google.com/file/d/1nsiP1dQjLFJKGnkqo2HBvCvqOUH7po_n/preview"
width="640" height="480" allow="autoplay"></iframe>
Task 1: Type Expression
In this
task, we are provided with 6 words: Pull, Explode, Chop, Rush, Wind,
and Tangle. We are asked to choose 4 of this words and make a sketch for it.
For this I choose the word Chop, Explode, Pull, and Tangle.
Research and Ideation
Typography
is using existing typefaces rather than making new ones, so for this project
I won't be able to make graphic images in order to give meaning to the
words. Instead I should come up with layouts and choose the right fonts. To
do this we need to know each meaning of the word. Here are those meaning I
found on the cambridge dictionary.
Cut: to break the surface of something, or to divide or make
something smaller, using a sharp tool, especially a knife.
(source: https://dictionary.cambridge.org/dictionary/english/cut)
Pull: to move something towards yourself, sometimes with great effort
, to move in a stated direction
(source: https://dictionary.cambridge.org/dictionary/english/pull)
Explode: to break up into pieces violently, or to cause something to do
this
(source:https://dictionary.cambridge.org/dictionary/english/explode)
Tangle: an untidy of things that are not in a state of order, or a
sate of confusion or difficulty
(source:
https://dictionary.cambridge.org/dictionary/english/tangle)
I also searched a lot of reference from google and pinterest. Here are some
images of reference that i got compiled in one picture.
Figure 2.1 (reference for chop), (week 1, 24/09/2024)
For the word
chop, I want the words to be cut one way or another. I also think that the
meaning of the word chop could also be extended as a chopstick. I also
reference from the word slice as it have similar meaning to cut. However the
word chop from the reference above have too many graphic elements, which I
don't want.
Figure 2.2 (reference for explode), (week 1, 24/09/2024)
For the
word explode I want the words to scatter as an effect, and also increase in
size to make it more dramatic. I might also change the fonts of it to make
the changes more visible.
Figure 2.3 (reference for pull), (week 1, 24/09/2024)
For the
word pull, I want either the words to all be pulled towards a point, or
the letter "u" to act as a magnet to pull the rest of the letters. There
might be some distortions made to make the effect that the words are being
pulled.
Figure 2.4 ( reference for tangle), (week 1, 24/09/2024)
For the
word tangle, I want the words to form an invisible knot to make the
illusion that the word tangle is tangled within itself. Another idea that
I have is to make the words intertwine with each other.
From the
research and ideation above I created 2 to 3 sketches for each words, Below
are my sketches done on clip studio paint.
Figure 2.5 (sketches), (week 1, 25/09/2024)
Digitalization
It was my
first time using Adobe Illustrator so it was a quite hard for me to find
my way through it as it was a new workspace.
Figure 2.6 (exploration), (week 2, 3/10/2024)
Above are
some of my exploration for the words pull, tangle, and chop. I tried using
different fonts and type faces for pull and chop. It was a bit tricky to
make the word tangle into a knot since it needs a lot of rotation. After
more exploration I settle with this four outcomes, shown below.
Figure 2.6 (digitalization version 1), (week 2, 3/10/2024)
In week 3,
our digitalization outcomes was reviewed by Mr. Vinod, Mr. Vinod approves
the words explode, chop, and pull. However, for the word tangle, he said
that it needs more elaboration, more entanglements. So I improvise it and
made the the entire space filled with entanglements. Below are the final
outcome for all the words.
Figure 2.7 (Final digitalization outcome), (week 2, 4/10/2024)
Final Type Expression PDF
Animation
We were
introduced on how to make animation by using adobe illustrator and then
adobe photoshop. I first choose the word chop and use adobe illustrator to
make 7 frames. Then I input this frame in photoshop to make a short animation.
Figure 2.8 (chop animation process), (week 3, 9/10/2024)
Figure 2.9 (chop animation process), (week 3, 9/10/2024)
After that I
export the file and make it a gif, below is the final result.
Figure 2.10 (chop animation), (week 3, 9/10/2024)
However I
am not satisfied with the results, so I pick another word, explode. Then I
redo the process from the start.
Figure 2.11 (explode animation process), (week 3, 10/10/2024)
Figure 2.12 (explode animation process), (week 3, 10/10/2024)
For the explode animation, there are a total of 13 frames
put together into gif, below is the final result.
Final animated type expression
Figure 2.13 (explode final result), (week 3, 10/10/2024)
Task 1: Exercise 2 - Text Formatting
For this
exercise we are tasked to create a final layout which involves kerning,
tracking, paragraph spacing, and etc. We are provided with a total of 4
lectures divided into 5 videos which provides exercises needed to practice
skills required for the final outcome.
Lecture 1/4: Kerning & Tracking
For this
exercise I tried to choose fonts that differ from each other to experiment
and explore more on kerning & tracking. I also tried to make the
overall presentation more appealing by putting bold fonts on the top and
on the bottom of the page.
Figure 2.14 (without kerning & tracking), (week 4,
15/10/2024)
Figure 2.15 (with kerning & tracking), (week 4, 15/10/2024)
Fig. 2.16 (with kerning & tracking alongside without overlayed to
show the difference), (week 4, 15/10/2024)
Lecture 2/4: Text formatting
In this exercise I became more familiar with InDesign, I
learned that the number of character within a line should be around 55-65,
point size could be anywhere between 8-12pt, leading should be 2-3pt
larger than the it's point size.
Fig 2.17 (text formatting), (week 4, 16/10/2024)
Lecture 3/4: Type Formatting
Rule of thumb: can't track more than or less than 3
times.
Fig. 2.18 (inserting pictures), (week 4, 17/10/2024)
Fig. 2.18 (type formatting, with hyphenation, before tracking
), (week 4, 17/10/2024)
Fig. 2.18 (type formatting, without hyphenation, after
tracking), (week 4, 17/10/2024)
Lecture 4/4: final layout
Fig 2.19 (trial layout), (week 4, 17/10/2024)
This is my first attempt on creating a layout. I
wanted the title to be horizontal to make it stand out. However, I realized
that with this layout I couldn't show my understanding of cross-alignment so
I made another layout. I also realized that there's a widow at the end of
the third and forth paragraph so I fixed it by using a forced line break.
Fig. 2.20 (trial layout), (week 4, 19/10/2024)
Fig 2.21 (layout), (week 4, 19/10/2024)
In class, Mr. Vinod mention on how forced line break shouldn't be use a lot so I redo the 4th paragraph as it contains a lot of forced line break. Below is the final layout version alongside it's guidelines.
Fig 2.22 (final layout), (week 4, 21/10/2024)
Final Layout PDF
HEAD LINE
Typeface: Univers LT Std
Font/s: Univers LT Std 55 Roman
Type Size/s: 64 pt
Leading: 66 pt
Paragraph spacing: 0
BODY
Typeface: Univers LT Std
Font/s: Univers LT Std 55 Roman
Type Size/s: 9 pt
Leading: 11 pt
Paragraph spacing: 11 pt
Average characters per-line: 59
Alignment: left justified
Margins: 12.7 mm top, 12.7 mm left +
right + bottom
Columns: 4
Gutter: 5 mm
Feedback
Week 1 (Introduction)
Week 2
-
General feedback: The font should be readable and should contain minimal graphics. We should also consider the place in which the words will sit in.
-
Specific feedback: There's no need of elongation in the word chop. And 1 version of the word tangle is not readable. Overall most of the sketches could be made onto the next stage which is digitalization.
Week 3
-
General feedback:The works submitted should be final. This meansthat there should only be 1 version of each word submitted, as we should learn on making decisions by ourselves. To make decisions easier you should take a break from seeing your work and see it again after taking a rest as how you view it will change.
-
Specific feedback: The word pull, chop, and explode are good already, however for the word tangle requires more elaboration. So to elaborate it Mr. Vinod suggested to fill up the entire
square.
Week 4
-
General feedback: We can use motion blur to create effects. We can
find fonts that is already condensed in nature to minimalized the
use of distorting as distorting is usually not recommended. In our
animation we could also pause for effect, this means that we add
extra frames to make the animation stop before it repeats
itself.
-
Specific feedback: The animation for the word explode and all the
fonts made are all good. The word tangle is approved already (since
last week it requires more elaboration).
Week 5
- General feedback: White areas present in the layout is good as it gives room to breath for the readers. We don't need to have a huge headline as it's only an A4 paper, not a news paper. Not only that, we couldn't use a bold typeface for the entire text as bold is only used for highlighting.
- Specific feedback: Overall the layout is good and well balance, however line break should be minimized. There should also be more space between the headline and the name.
Reflections
Experience:
Typography was my very first class as I
stepped into college, I was first very overwhelmed with all the task I
have to do. I barely know how to find my way into this new software,
adobe illustrator and also indesign which was introduce at week 4. But as I watch the video tutorials provided I began
to understand and no longer felt overwhelmed by it. I also learn how to
manage my time wisely in order to finish all my task in time.
Observation:
By week 2, I observed that there's actually a lot going
on behind the scene in order to make a good font and layout. I also figure out
that this major is more onto doing a lot of practical learning outside
of class, unlike school which focuses more on lectures inside of
class.
Findings:
I've discovered that typography is more complex than it seems, although it might seems very simple. There's a lot of terms and sets of rules that we need to remember to make a good layout. I also learned to record every process that I do and all the sketches made as it is part of the progress.
Further Reading
Book 1
Figure 3.1 (Basic Typography 01, virtual typography, by Matthias
Hillner), (week 1, 26/09/2024)
Week 1 chapter 1
Typography is the visual representation of text
information, in the fifteenth century writing should be done in straight
lines. However artist began to rebel against those rules in the 19th
century, they attempt to merge both text and image together. This
inspired a lot of forms of typography art such as futurism and Dadaism.
One of the earliest attempt of this is called visual poetry.
Figure 3.2 (visual poetry), (week 2, 03/10/2024)
Week 2 chapter 2
With the growth of technology, people
become more focus on it that it leaves them little time to process
information. People now doesn't appreciate the process of reading, so
its aesthetic pleasure is determined by how easy it is to be read.
However this is different for Temporal
typography, which aims to slow down the process of reading in order to
make the information more memorable.
Figure 3.3 (Temporal typography), (week 3, 10/10/2024)
Week 3 chapter 3
In typography there is a different between
information design and communication design. Information is made for the
purpose of communication. And in order to communicate information must
first be filtered.
Book 2
Figure 3.4 (Thinking with type, by Ellen Lupton), (week 4, 16/10/2024)
Fig. 3.5 (mixing typefaces), (week 4, 16/10/2024)
Week 4 & 5
This book introduce a lot of lexicons and terminology
within typography alongside it's definitions. It explains how typefaces
could be combine like a salad to create and highlight it's contrast
among each other. When mixing typefaces point size is usually adjusted
to make their x-height align.
Fig 3.6 (typography terminologies), (week 5, 26/10/2024)
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